Monday 17 August 2015

St Mary's Cathedral, Sydney

St Mary's Cathedral, Sydney


The Metropolitan Cathedral of the Immaculate Mother of God, Help of Christians (colloquially, St Mary's Cathedral) is the cathedral church of the Roman Catholic Archdiocese of Sydney and the seat of the Archbishop of Sydney, currently Anthony Fisher OP. The cathedral is dedicated to the "Immaculate Mother of God, Help of Christians", Patroness of Australia. St Mary’s holds the title and dignity of a minor basilica, bestowed upon it by Pope Pius XI on 4 August 1932.
St Mary's has the greatest length of any church in Australia (although it is neither the tallest nor the largest overall). It is located on College Street in the heart of the City of Sydney where, despite the high rise development of the Sydney central business district (CBD), its imposing structure and twin spires make it a landmark from every direction.

The architecture is typical of the Gothic Revival of the 19th century, inspired by the journals of the Cambridge Camden Society, the writings of John Ruskin and the architecture of Augustus Welby Pugin. At the time that the foundation stone was laid, the architect Edmund Blacket had just completed Sydney’s very much smaller Anglican cathedral in the Perpendicular Gothic style and the Main Building of Sydney University. St Mary's, when William Wardell's plan was realised, was to be a much larger, more imposing and more sombre structure than the smaller St Andrew's and, because of its fortuitous siting, still dominates many views of the city despite the high-rise buildings.
The style of the cathedral is Geometric Decorated Gothic, the archaeological antecedent being the ecclesiastical architecture of late 13th century England. It is based fairly closely on the style of Lincoln Cathedral, the tracery of the huge chancel window being almost a replica of that at Lincoln.
The cathedral seen from the north-west
The lateral view of the building from Hyde Park is marked by the regular progression of Gothic windows with pointed arches and simple tracery. The upper roofline is finished with a pierced parapet, broken by decorative gables above the clerestorey windows, above which rises a steeply pitched slate roof with many small dormers in the French manner. The roofline of the aisles is decorated with carved bosses between the sturdy buttresses which support flying buttresss to the clerestorey.
Facing Hyde Park, the transept provides the usual mode of public entrance, as is common in many French cathedrals, and has richly decorated doors which, unlike those of the main front, have had their carved details completed and demonstrate the skills of local craftsmen in both designing and carving in the Gothic style. Included in the foliate bosses are Australian native plants such as the waratah, floral emblem of New South Wales.
St Mary's Cathedral is generally approached on foot from the city through Hyde Park, where the transept front and central tower rise up behind the Archibald Fountain. During the 20th century the gardeners of Hyde Park have further enhanced the vista by laying out a garden on the cathedral side of the park in which the plantings have often taken the form of a cross.

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